Angel Olsen’s first release, Strange Cacti, sounds a bit like it’s being played through a speaker from another dimension.


With her latest release, Whole New Mess, Olsen is returning to where she began, bringing her knack for spaced-out, cosmic, bare-bones folk to the expansive songs that comprised her ambitious 2019 album, All Mirrors. Her latest release takes those songs and distills them down to just guitar, synths, and voice, all filtered through a fog of reverb and overdrive.

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